The material culture of the Harappan or Indus Civilization (III millennium BC) is inspired by a great love for artificial creations, disclosing a cognitive template deeply rooted in the later Indian world. The faience ornaments of sites such as Mohenjo-Daro, Harappa, Chanhu-Daro and others range among the most aesthetically curated and technically advanced pyrotechnological products of the early Bronze age. This paper summarizes the state-of-the-art, and presents new observations from recent archaeometric analysis of faience bangles from Harappa and Mohenjo-Daro.

Characterization of ancient faience bangles from Mohenjo-Daro and Harappa

Ivana Angelini;Cinzia Bettineschi;Gilberto Artioli;Massimo Vidale
2017

Abstract

The material culture of the Harappan or Indus Civilization (III millennium BC) is inspired by a great love for artificial creations, disclosing a cognitive template deeply rooted in the later Indian world. The faience ornaments of sites such as Mohenjo-Daro, Harappa, Chanhu-Daro and others range among the most aesthetically curated and technically advanced pyrotechnological products of the early Bronze age. This paper summarizes the state-of-the-art, and presents new observations from recent archaeometric analysis of faience bangles from Harappa and Mohenjo-Daro.
2017
24th Congress and General Assembly of the International Union of Crystallography
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3253957
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