The article studies how original music was re-orchestrated and adapted in Fantasia and Fantasia 2000, to prove how two approaches to sound actually concur to the definition of the aesthetic of those films. Moreover, it will be demonstrated how the differences in the ways of manipulating music in the two features could be understood as a consequence of the modification of the audiovisual taste of the audience from 1940 to 2000, and also as a trace of the change in the scopes and the aesthetic of Disney films.

Painted Orchestras. Orchestration and Musical Adaptation in Fantasia and Fantasia 2000

BELLANO M.
2015

Abstract

The article studies how original music was re-orchestrated and adapted in Fantasia and Fantasia 2000, to prove how two approaches to sound actually concur to the definition of the aesthetic of those films. Moreover, it will be demonstrated how the differences in the ways of manipulating music in the two features could be understood as a consequence of the modification of the audiovisual taste of the audience from 1940 to 2000, and also as a trace of the change in the scopes and the aesthetic of Disney films.
2015
Relaciones Música e Imagen en los Medios Audiovisuales
9788416046706
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3340170
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