| Nome |
# |
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Afterword, file e14fb26b-3c0f-3de1-e053-1705fe0ac030
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467
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"La lettera scritta prima. Parodia e silenzio da Totò a Shakespeare", file e14fb269-65c6-3de1-e053-1705fe0ac030
|
61
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null, file e14fb26c-a9a0-3de1-e053-1705fe0ac030
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44
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"Prefazione", in _Oralità e scrittura: i due volti delle parole_, Padova, Padova University Press, file e14fb26f-d798-3de1-e053-1705fe0ac030
|
35
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“Sublime shakespeariano e sublimazione freudiana nell’Otello di Verdi e Boito”, file e14fb26a-d204-3de1-e053-1705fe0ac030
|
29
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|
"The Literature-Linguistics Interface -- Bridging the Gap Between Qualitative and Quantitative Approaches to Literary Texts", file e14fb26b-ca1d-3de1-e053-1705fe0ac030
|
21
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Interfacing between Linguists and Literary Scholars: A Conference on Mixed-method Approaches and a First Survey of Italian Collaborative Practices, file e14fb26c-feba-3de1-e053-1705fe0ac030
|
21
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|
Circolazione di idee. William Harvey, Aristotele e la Padova medica e logica, file e14fb26e-bcfc-3de1-e053-1705fe0ac030
|
21
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“Finisce male. Shakespeare e la tragedia nonlineare femminile”, in Maschere del tragico, eds. C. Cao, A. Cinquegrani, E. Sbrojavacca, V. Tabaglio, Between, VII.14 (2017), http//www.betweenjournal.it/, file e14fb26a-39dd-3de1-e053-1705fe0ac030
|
18
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|
Thinking Out of the Box in Literary and Cultural Studies. Proceedings of the XXIX AIA Conference, file e14fb26f-37b3-3de1-e053-1705fe0ac030
|
18
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|
THE LITERATURE-LINGUISTICS INTERFACE. BRIDGING THE GAP BETWEEN QUALITATIVE AND QUANTITATIVE APPROACHES TO LITERARY TEXTS.
Selected Proceedings of the International Conference "Bridging Gaps, Creating Links: The Qualitative-Quantitative Interface in the Study of Literature" (Padua, June 7-9, 2018). Edited by Rocco Coronato, Sara Gesuato, file e14fb26c-9e99-3de1-e053-1705fe0ac030
|
8
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|
The Wild Field. Stormbraining the Complex Rhythms of King Lear, file e14fb26f-7ba1-3de1-e053-1705fe0ac030
|
8
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|
“Hamlet, Ortensio Lando, or 'To Be or Not To Be' Paradoxically Explained”, file e14fb269-03ab-3de1-e053-1705fe0ac030
|
7
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"The Unfinished in Michelangelo and _Othello_", file e14fb269-70db-3de1-e053-1705fe0ac030
|
7
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"Amleto virtuale", file e14fb267-991a-3de1-e053-1705fe0ac030
|
6
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|
"Hamlet and Infinite Interpretation", file e14fb267-999d-3de1-e053-1705fe0ac030
|
6
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|
William Shakespeare, _Macbeth_, Milano, BUR, 2022 (introduzione, traduzione e note), file e14fb26f-95b4-3de1-e053-1705fe0ac030
|
6
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|
“The Emergence of Priapism in The Two Gentlemen of Verona”, file e14fb267-999c-3de1-e053-1705fe0ac030
|
5
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|
"Il bianco e il simbolo. Coleridge, Moby-Dick e Marilyn Monroe", file e14fb268-8bd2-3de1-e053-1705fe0ac030
|
5
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William Shakespeare, _La dodicesima notte_, file e14fb268-8dd8-3de1-e053-1705fe0ac030
|
5
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|
Christiane Maria Binder: Bakhtin Revisited: Constructions of Identity Through Time and Place in English and New English/Postcolonial Literature, Trier, WVT, 2020, file e14fb26f-462c-3de1-e053-1705fe0ac030
|
5
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Samuel Taylor Coleridge, _La ballata del vecchio marinaio_, file e14fb26f-bb56-3de1-e053-1705fe0ac030
|
5
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Steps towards convergence: essays of interaction between linguistic and critical approaches to literature, file 9dcdd896-b32b-4202-a696-b130f0902708
|
4
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“Hamlet and the Troublesome Division of the Italian Widow”, file e14fb267-991b-3de1-e053-1705fe0ac030
|
4
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|
_Dalle corna del cervo a Giordano Bruno_, file e14fb268-8b60-3de1-e053-1705fe0ac030
|
4
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_Il re bianco_, file e14fb269-6ee8-3de1-e053-1705fe0ac030
|
4
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|
_Apollo, le Muse, il sé. Invocazione e caduta in Coleridge e Keats_, file e14fb26b-79ea-3de1-e053-1705fe0ac030
|
4
|
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A Sentimental Journey through the Body and Other Eighteenth-Century Automata, file e14fb267-9854-3de1-e053-1705fe0ac030
|
3
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|
"Adamo senza ombelico: la genesi degli errori in Tomaso Garzoni e Thomas Browne, con l'aggiunta di Bacon", file e14fb267-9918-3de1-e053-1705fe0ac030
|
3
|
|
“Inducting Pocahontas”, file e14fb267-997e-3de1-e053-1705fe0ac030
|
3
|
|
“Of Cucumbers and Men: The Male Bride from Plautus to Jonson”, file e14fb267-9980-3de1-e053-1705fe0ac030
|
3
|
|
“Was It Just an Anecdote? Ben Jonson and the Eucharist, Paris 1612”, file e14fb267-9982-3de1-e053-1705fe0ac030
|
3
|
|
“‘Apologia pro narratione sua’: _Loss and Gain_ di J.H. Newman”, file e14fb267-9989-3de1-e053-1705fe0ac030
|
3
|
|
“Excentrique/decentralisé: notes sur le rire babélique”, file e14fb267-9991-3de1-e053-1705fe0ac030
|
3
|
|
“The Italian Job: The Poetics of Graced Performance in the Commedia dell’Arte and in Jonson’s Humour Plays”, file e14fb267-9992-3de1-e053-1705fe0ac030
|
3
|
|
“Angels Above Bartholmew’s Fair”, file e14fb267-9999-3de1-e053-1705fe0ac030
|
3
|
|
“Ferrara in Volpone”, file e14fb267-999b-3de1-e053-1705fe0ac030
|
3
|
|
_Leggere Shakespeare_, file e14fb269-70ef-3de1-e053-1705fe0ac030
|
3
|
|
“Shakespeare’s Camera Obscura: _Macbeth_ and Blackness”, file e14fb26a-67d3-3de1-e053-1705fe0ac030
|
3
|
|
_Versi diversi. Milton e la libertà, in poesia e nel matrimonio_, file e14fb26a-96f3-3de1-e053-1705fe0ac030
|
3
|
|
Introduzione a Robert Louis Stevenson, _Il ladro di cadaveri, Gli allegri compari_, file e14fb26e-c0ba-3de1-e053-1705fe0ac030
|
3
|
|
_Shakespeare: Guida ad _Amleto_, file e14fb26f-20b1-3de1-e053-1705fe0ac030
|
3
|
|
_Shakespeare: guida alla Tempesta_, file e14fb26f-c5e7-3de1-e053-1705fe0ac030
|
3
|
|
"Il doppio mondo. T.S. Eliot e il crisscross", file d20e8afe-8a5e-4875-bdf6-22502ec241f0
|
2
|
|
“L'El Dorado di Ralegh e di Calibano”, file e14fb267-9853-3de1-e053-1705fe0ac030
|
2
|
|
“La rosa e il monumento: i Sonetti shakespeariani e la poesia visiva”, file e14fb267-9856-3de1-e053-1705fe0ac030
|
2
|
|
“Aural/Auricular Shakespeare”, file e14fb267-997d-3de1-e053-1705fe0ac030
|
2
|
|
“‘Carnival Vindicated to Himself’? Reappraising Bakhtinized Ben Jonson”, file e14fb267-9983-3de1-e053-1705fe0ac030
|
2
|
|
“Il giudice alla gogna: panoptikon e occasione festiva in _Bartholmew Fair_”, file e14fb267-9986-3de1-e053-1705fe0ac030
|
2
|
|
“Un Carnevale nascosto in Ben Jonson: _Catiline _e le fonti”, file e14fb267-9988-3de1-e053-1705fe0ac030
|
2
|
|
“Il libro sigillato: sulla nominazione in Abraham Cahan e Henry Roth”, file e14fb267-998b-3de1-e053-1705fe0ac030
|
2
|
|
“Scienza ed entusiasmo in A Tale of a Tub”, file e14fb267-998e-3de1-e053-1705fe0ac030
|
2
|
|
“King John and the Siege as Hermeneutics”, file e14fb267-9998-3de1-e053-1705fe0ac030
|
2
|
|
“Shakespeare, la Fama e il corno rumoroso del mostro”, file e14fb267-9a04-3de1-e053-1705fe0ac030
|
2
|
|
Shakespeare’s Neighbors: Theory Matters in the Bard and His Contemporaries, file e14fb267-9a0a-3de1-e053-1705fe0ac030
|
2
|
|
Jonson Versus Bakhtin: Carnival and the Grotesque, file e14fb267-9a0f-3de1-e053-1705fe0ac030
|
2
|
|
La camera asfissiante. Boito, Verdi, e i personaggi shakespeariani dell'Otello, file e14fb268-8efa-3de1-e053-1705fe0ac030
|
2
|
|
_L'amica poco congeniale. Elena Ferrante contro l'immedesimazione_, file e14fb268-e8b6-3de1-e053-1705fe0ac030
|
2
|
|
_Il re bianco_, file e14fb269-65e6-3de1-e053-1705fe0ac030
|
2
|
|
"Padri e figli. Lear e Cordelia, Shakespeare e Freud", file e14fb26a-6dd0-3de1-e053-1705fe0ac030
|
2
|
|
"Shake-Scene, Shake-Bag, Shake-Speare: la prima ricezione di Shakespeare e le allusioni al cognome", file e14fb26a-d295-3de1-e053-1705fe0ac030
|
2
|
|
_At my fingers’ ends. Per uno studio umano, animale e digitale delle metafore in Twelfth Night_, file e14fb26b-4840-3de1-e053-1705fe0ac030
|
2
|
|
"L'eco e l'equivoco. _Macbeth_ e il riverbero della coscienza", file e14fb26f-95b6-3de1-e053-1705fe0ac030
|
2
|
|
"While God Sleeps. Time and the Tempest, from Prospero to Noah", file e14fb26f-d326-3de1-e053-1705fe0ac030
|
2
|
|
Over the Edge Shakespeare, Judith, and the Virtuous Use of Female Indiscretion and Deception, file e14fb26f-d4e1-3de1-e053-1705fe0ac030
|
2
|
|
W. Shakespeare, _Amleto_ (traduzione, note e cura), file 28ec9ef3-4cca-43f7-8d1e-4f28a694cfd8
|
1
|
|
Traduzione di Meredith Oakes, _The Tempest_, file 52553d1f-33c4-433e-b630-a6d05fb1c4ea
|
1
|
|
“In the Backshop. Honesty as Paradox in _Othello_", file 5d7aef43-46a5-424b-b0fb-2cb2e134a99b
|
1
|
|
T.S. Eliot, _La terra desolata e altre poesie_, file 67a8962a-d039-4945-a28d-6ab63d20df56
|
1
|
|
_Amleto demente moderno_, file 82d8ee60-afc1-4afd-9b60-436b712ff153
|
1
|
|
La mobilità del punto di vista (Recensione di D. Saglia, Modernità del Romanticismo.Scrittura e cambiamento nella letteratura britannica 1780-1830), file af9cae78-c361-44d7-92c9-7ee37c9ce566
|
1
|
|
_Letteratura inglese. Da Beowulf a Brexit_, file ceb5f200-d834-412b-a519-5f35e221a53e
|
1
|
|
“La tragedia in Inghilterra”, file e14fb267-999e-3de1-e053-1705fe0ac030
|
1
|
|
Shakespeare’s Neighbors: Theory Matters in the Bard and His Contemporaries, file e14fb267-9a0b-3de1-e053-1705fe0ac030
|
1
|
|
Shakespeare’s Neighbors: Theory Matters in the Bard and His Contemporaries, file e14fb267-9a0c-3de1-e053-1705fe0ac030
|
1
|
|
Shakespeare’s Neighbors: Theory Matters in the Bard and His Contemporaries, file e14fb267-9a0d-3de1-e053-1705fe0ac030
|
1
|
|
Jonson Versus Bakhtin: Carnival and the Grotesque, file e14fb267-9a0e-3de1-e053-1705fe0ac030
|
1
|
|
Jonson Versus Bakhtin: Carnival and the Grotesque, file e14fb267-9a10-3de1-e053-1705fe0ac030
|
1
|
|
La mano invisibile: Shakespeare e la conoscenza nascosta, file e14fb267-9a11-3de1-e053-1705fe0ac030
|
1
|
|
La linea del serpente: caos e creazione in Milton, Sterne e Coleridge, file e14fb267-9a12-3de1-e053-1705fe0ac030
|
1
|
|
Intorno a Shakespeare: re e confessori, marinai e vedove, delinquenti e attori, file e14fb267-9a13-3de1-e053-1705fe0ac030
|
1
|
|
_Guido guida_, file e14fb269-6b7b-3de1-e053-1705fe0ac030
|
1
|
|
"‘Renaissance’ o ‘early modern’? “A plague on both your houses”. In _L’Italianistica oggi: ricerca e didattica_. Atti del XIX Congresso
dell’ADI - Associazione degli Italianisti (Roma, 9-12 settembre 2015), a cura di B. Alfonzetti, T. Cancro, V. Di Iasio, E. Pietrobon,
Roma, Adi editore, 2017, file e14fb26a-c649-3de1-e053-1705fe0ac030
|
1
|
| Totale |
938 |