This paper reports a case study on an Italian rock band while composing a new piece over seven group composing sessions with the aim to collect data about the compositional strategies. The band members were video-taped during the group composing sessions in their rehearsal room. A qualitative analysis of the video-recordings was performed using the Constant Comparative Method. In the analysis, fifty-nine different behaviours emerged, which were subsequently reduced into 13 categories. When analysing the categories, five themes (activities) were defined. The five activities were: context definition, experimenting, constructing, playing and evaluating. The activities were employed as a coding technique for time coding the videotaped data, which revealed the time percentages spent by the musicians in each of the group composing activities. Results from the joint qualitative and percentage time analysis indicate the importance of the strategies adopted by the musicians during group composing. The results are discussed by taking into account the impact of the processes employed in a group composing setting as well as suggestions for future research. The implication for music education involves the possibility to apply approaches based on the development of cognitive processes rather than the product of collaborative composing activities.

Group music composing strategies: A case study within a rock band, British Journal of Music Education.

BIASUTTI, MICHELE
2012

Abstract

This paper reports a case study on an Italian rock band while composing a new piece over seven group composing sessions with the aim to collect data about the compositional strategies. The band members were video-taped during the group composing sessions in their rehearsal room. A qualitative analysis of the video-recordings was performed using the Constant Comparative Method. In the analysis, fifty-nine different behaviours emerged, which were subsequently reduced into 13 categories. When analysing the categories, five themes (activities) were defined. The five activities were: context definition, experimenting, constructing, playing and evaluating. The activities were employed as a coding technique for time coding the videotaped data, which revealed the time percentages spent by the musicians in each of the group composing activities. Results from the joint qualitative and percentage time analysis indicate the importance of the strategies adopted by the musicians during group composing. The results are discussed by taking into account the impact of the processes employed in a group composing setting as well as suggestions for future research. The implication for music education involves the possibility to apply approaches based on the development of cognitive processes rather than the product of collaborative composing activities.
2012
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/2533033
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