This essay analyses the collage production of Giorgio Ferrante, concentrating on the corpus preserved at the Società Letteraria of Verona. Ferrante's relation to Umberto Boccioni in the period preceding Boccioni's death in Verona in 1916 and his brief adherence to Futurism are examined. Finally a basic reconstruction of Ferrante's figurative work, up to now unpublished, is proposed, placing in within the cultural context of Verona after the Second World War when the dominant artistic figure was Lionello Fiumi.
I papiers collés di Giorgio Ferrante conservati alla Società Letteraria di Verona
CIBIN, ALBERTO
2016
Abstract
This essay analyses the collage production of Giorgio Ferrante, concentrating on the corpus preserved at the Società Letteraria of Verona. Ferrante's relation to Umberto Boccioni in the period preceding Boccioni's death in Verona in 1916 and his brief adherence to Futurism are examined. Finally a basic reconstruction of Ferrante's figurative work, up to now unpublished, is proposed, placing in within the cultural context of Verona after the Second World War when the dominant artistic figure was Lionello Fiumi.
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