Hieronymus Fabricius ab Acquapendente, famous anatomist of the medical school of Padua, Italy, marked a further step not only in the morphological studies, but also in anatomical illustration and physiology. His researches were inspired by the work of Aristotle which was focused on the understanding of biological “functions” in an anatomo-comparative way. The anatomo-comparative approach of Fabrici allowed him to discover several specific features of human anatomy. His focusing on function marked the transition from a descriptive to a functional anatomy, paving the way to the birth of human physiology in the following century. To enhance the teaching and learning of anatomy, Fabrici realized the importance of the “dimension” and “color” of anatomical illustrations and introduced for first full-scale and colour painted plates. In this way, the images were closer to representing “living” parts, than previous black & white and low scale images. Moreover, Fabrici was the first to create an “anatomo-phisiological” image, namely the one representing the valves in the veins. His work was a fundamental inspiration for his students, in particular Gaspard Bauhin and William Harvey.

Fabrici and the functional power of the image

Zanatta A.
;
Thiene G.;Basso C.;Zampieri F.
2020

Abstract

Hieronymus Fabricius ab Acquapendente, famous anatomist of the medical school of Padua, Italy, marked a further step not only in the morphological studies, but also in anatomical illustration and physiology. His researches were inspired by the work of Aristotle which was focused on the understanding of biological “functions” in an anatomo-comparative way. The anatomo-comparative approach of Fabrici allowed him to discover several specific features of human anatomy. His focusing on function marked the transition from a descriptive to a functional anatomy, paving the way to the birth of human physiology in the following century. To enhance the teaching and learning of anatomy, Fabrici realized the importance of the “dimension” and “color” of anatomical illustrations and introduced for first full-scale and colour painted plates. In this way, the images were closer to representing “living” parts, than previous black & white and low scale images. Moreover, Fabrici was the first to create an “anatomo-phisiological” image, namely the one representing the valves in the veins. His work was a fundamental inspiration for his students, in particular Gaspard Bauhin and William Harvey.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3351480
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