This essay will consider some key aspects of the imagery of the ventennio regarding the Italian overseas territories through the analysis of the covers of the illustrated magazine "Libia", launched in 1937 in the context of the so-called ‘Fourth Shore’ of Italy, ruled between 1934 and 1940 by governor Italo Balbo. Firstly, this essay will address the existing bibliography on the relations between the press and Italian colonialism. Then, it will examine the figure of Balbo over two sections – one relating to his activities for the development of Libya, the other dedicated to his relationship with the arts – unpacking the close links between the work of the governor in the colony and the periodical. The final part of the article will focus on "Libia", examining the themes and subjects chosen to illustrate its covers and the several artists who collaborated with the magazine as illustrators.

Colonies on the cover: Italo Balbo's Libia

Priscilla Manfren
2022

Abstract

This essay will consider some key aspects of the imagery of the ventennio regarding the Italian overseas territories through the analysis of the covers of the illustrated magazine "Libia", launched in 1937 in the context of the so-called ‘Fourth Shore’ of Italy, ruled between 1934 and 1940 by governor Italo Balbo. Firstly, this essay will address the existing bibliography on the relations between the press and Italian colonialism. Then, it will examine the figure of Balbo over two sections – one relating to his activities for the development of Libya, the other dedicated to his relationship with the arts – unpacking the close links between the work of the governor in the colony and the periodical. The final part of the article will focus on "Libia", examining the themes and subjects chosen to illustrate its covers and the several artists who collaborated with the magazine as illustrators.
2022
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3460969
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