This article, written with the pictorial works of a Beaux-Arts student in Paris, deals with the incessant filing of heritage objects, in particular a collection from a room that was almost forgotten when the collections were transferred from the Musée de l'Homme to the Musée du quai Branly.
Le grain qui rend fou(r)
Tiziana, Beltrame;
2021
Abstract
This article, written with the pictorial works of a Beaux-Arts student in Paris, deals with the incessant filing of heritage objects, in particular a collection from a room that was almost forgotten when the collections were transferred from the Musée de l'Homme to the Musée du quai Branly.
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