In Tu n’écriras point by Alain Satgé (2003), syntactic insertion framed by parentheses plays a central role. This article looks at how the author exploits this device at different levels, from the syllable to the text. The novel makes extensive use of parentheses to establish its own poetics, which is linked to the identity of the narrator and the time of memory. Moreover, this use of parentheses allows a vertical, folded reading of chronology, similar to a musical stave.
La « portée» textuelle de la parenthèse dans 'Tu n’écriras point' d’Alain Satgé
Henrot Sostero Genevieve
2024
Abstract
In Tu n’écriras point by Alain Satgé (2003), syntactic insertion framed by parentheses plays a central role. This article looks at how the author exploits this device at different levels, from the syllable to the text. The novel makes extensive use of parentheses to establish its own poetics, which is linked to the identity of the narrator and the time of memory. Moreover, this use of parentheses allows a vertical, folded reading of chronology, similar to a musical stave.
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