Love poetry as social practice: On the function of medieval Sicilian love lyric in Arabic and Italian

This article problematizes the traditional narrative of Le Origini, according to which the beginnings of Italian literature were based on Provençal examples. I contend that this narrative is incomplete, as it overlooks entirely the rich heritage of Sicilian Arabic poetry that predates the Sicilian romance lyric by only a few decades. Based on a comparative analysis, I aim to demonstrate how the Sicilian romance lyric is also rooted in Sicily’s Islamic past. In support of my argument, I analyze excerpts from three Arabic poems from Islamic and Norman Sicily and then read them alongside Pier della Vigna’s canzone ‘Amor da cui move tuttora e vene’ (Love, from which always come). With my comparison, I call attention to how the poets of the Scuola Siciliana, like their Arabic predecessors at the Kalbid court of Palermo, used verse to craft a code of social competence shaped by the lore and language of the love poem. My comparison opens up a re-examination of Le Origini: can the Sicilian-Arabic poems penned in the tenth, eleventh, and twelfth centuries cast new light on the rhymes of the Scuola Siciliana?