The article examines how medieval users interacted with illuminated manuscripts, seen as a combination of text and image. Particular attention is given to images that played a role not only in devotion but also in the protection of the faithful, who were encouraged to perform ritual actions to activate their apotropaic power. The study also analyses the texts of the manuscripts which, in addition to prayers, contain apotropaic formulas, invocations, and orisons. After an introduction and an overview of physical devotional practices in the late Middle Ages, the analysis focuses on a specific manuscript: a prayer book produced in Bruges at the beginning of the 15th century (Bruges, Bibliotheek Grootseminarie, 72/175), which contains two illuminations and a rich collection of texts in Middle Dutch. The study follows a twofold approach. Firstly, the miniatures are examined stylistically and with regard to possible signs of interaction left on their surface by the worshipper. Secondly, the content of the texts is analysed, with particular emphasis on the numerous and significant instructions addressed to the user concerning the actions to be performed and the attitudes to be maintained during the daily devotion. Through a differentiated approach that highlights the various aspects of the manuscript the research aims to reconstruct how illuminated codices were used by the faithful in the individual context of the late Middle Ages, at the time of the rise of the Devotio Moderna.

Per la salvezza dell'anima e la protezione del corpo : immagini e testi in un libro di preghiere fiammingo tardomedievale (Bruges, Bibliotheek Grootseminarie, 72/175)

Vittorio Frighetto
2024

Abstract

The article examines how medieval users interacted with illuminated manuscripts, seen as a combination of text and image. Particular attention is given to images that played a role not only in devotion but also in the protection of the faithful, who were encouraged to perform ritual actions to activate their apotropaic power. The study also analyses the texts of the manuscripts which, in addition to prayers, contain apotropaic formulas, invocations, and orisons. After an introduction and an overview of physical devotional practices in the late Middle Ages, the analysis focuses on a specific manuscript: a prayer book produced in Bruges at the beginning of the 15th century (Bruges, Bibliotheek Grootseminarie, 72/175), which contains two illuminations and a rich collection of texts in Middle Dutch. The study follows a twofold approach. Firstly, the miniatures are examined stylistically and with regard to possible signs of interaction left on their surface by the worshipper. Secondly, the content of the texts is analysed, with particular emphasis on the numerous and significant instructions addressed to the user concerning the actions to be performed and the attitudes to be maintained during the daily devotion. Through a differentiated approach that highlights the various aspects of the manuscript the research aims to reconstruct how illuminated codices were used by the faithful in the individual context of the late Middle Ages, at the time of the rise of the Devotio Moderna.
2024
   The Sensuous Appeal of the Holy. Sensory Agency of Sacred Art and Somatised Spiritual Experiences in Medieval Europe (12th-15th century)
   SenSArt
   European Commission
   Horizon 2020 Framework Programme
   950248
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11577/3552058
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