Taking into account "In Patagonia" (1977) and the critical debate around it, this paper analyses how Bruce Chatwin changed the literary representation of places, undermining the traditional dichotomy between “truth” and “fiction”, and why the poetics of “Chatwinesque”—a term coined by his editor Susannah Clapp—became paradigmatic for contemporary narrative nonfiction.
Anatomia del «bruce». Verità e finzione in "In Patagonia" di Bruce Chatwin
Luigi Marfe'
2019
Abstract
Taking into account "In Patagonia" (1977) and the critical debate around it, this paper analyses how Bruce Chatwin changed the literary representation of places, undermining the traditional dichotomy between “truth” and “fiction”, and why the poetics of “Chatwinesque”—a term coined by his editor Susannah Clapp—became paradigmatic for contemporary narrative nonfiction.File in questo prodotto:
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